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Body Painting

Kamis, 20 Januari 2011

Beauty Woman Body Painting

Since the beginning of time, humans have always had the desire to create art. Through this desire body painting was born, making the human body the first canvass. The history of this craft stretches so far back that historians consider it to be the earliest form of art. Compared to other types of body art like tattoos or piercing, this is impermanent. It lasts only for a few hours at most.


TEMPORARY BODY PAINTING

During the ancient times, tribes would often use this during celebrations and important ceremonies. Each color had its own corresponding meaning. Chieftains and warriors commonly had their own styles to indicate their status in the tribe. Around the 12th century, a new kind of body painting known as the Mehendi became popular. The Mehendi is an extremely old ritual that originated from Egypt. It is the art of using henna to paint the body. This type of dye usually lasts a little longer, about a 1-2 weeks before fading. Natives of South America also had their own methods of ornamenting their bodies. They would use wet charcoal also known as huito. Like henna, huito is also semi-permanent lasting for a few weeks.


TEMPORARY BODY PAINTING



TEMPORARY BODY PAINTING

In today's modern era, this has become a way of self-expression. This has been spurred on by the liberality of modern society. If before nudity was deemed by society as inappropriate and improper, now it is something to be flaunted. In the guise of self-expression and the practice of human freedom, this has become a means of grabbing the public's attention. This is especially effective during protests and rallies. Instead of bringing placards and sign boards, the protesters would instead paint on themselves.


TEMPORARY BODY PAINTING


TEMPORARY BODY PAINTING

The art of body painting can morph a human being into a beautiful work of art. It can make a statement that words alone cannot express, create a more appealing presentation, and add meaning and significance to an important occasion. It is used not only for the living, but also to preserve the dead. Truly it has attained world wide significance that will last till the end of tim

Amazing Art of Women Body Painting

In fact we are fond of painting our bodies since prehistoric times. In past we were used to paint our bodies with materials like natural dyes, paints and pigments. In some cases we used ash, and clay, too.


TEMPORARY BODY PAINTING


The markings that the people make on their bodies are thought to have magical powers with which one could ward off evil spirits or the tribal enemies. Such was the thinking in past. The painting of bodies was also coined with celebrating of auspicious occasions like New Year or a dance party. Same practice can still observed in the indigenous populations of the countries like New Zealand, Australia, the Pacific Islands, and certain parts of Africa.


TEMPORARY BODY PAINTING

In India the women and men are fond of using Henna. It is a colour extracted from a plant of Henna; it is also known as Mehandi. This type of body painting with Henna has been a fashion in India and the Middle East since many years. People paint their hands and legs and other parts of body with Henna during auspicious ceremonies like weddings. The use of henna or Mehandi has become popular in the Western countries, too, since last two decades.


TEMPORARY BODY PAINTING


TEMPORARY BODY PAINTING

The art of body painting is not a new phenomenon in the countries of South America, too. People here have been using indigenous materials to paint their body and body parts. They use wet charcoal and other materials available in the local surrounding. In some parts of America, a material known as Huito is used to paint the bodies and faces. Huito is a black dye, and it takes weeks to fade away.

Senin, 17 Januari 2011

Americans Women Body Painting


American Scene painting began to take root in the early twentieth century and remained active until 1950. American type area realistic art, is also referred to as regionalism. Post World War I (1914-1919), the American art scene has seen change and drift into a naturalistic form, by modernism. Since most of the naturalistic style of painting, American Scene Painting course includes also expressed in the urban and rural life in general. Often regarded as two styles – “American regionalism” and “social realism” (in urban areas, themes). It is usually seen as a protest against the impact of abstraction and European styles of contemporary art, which begins at the end of the nineteenth century.

History
American Regionalism has been the most active in the years around 1930. This sect had a more rural setting with three members of the technical group known as regionalist triumvirate “to the forefront. DeVolson Based in Iowa Grant Wood (1891-1942), Missouri-based Thomas Hart Benton (1889-1975 ), and Kansas, John Steuart Curry (1897-1946) founded the group. Interestingly, all three had an artistic education European (Paris).

Artists and Works

Wood “American Gothic” is dated 1930, is considered his finest creation. Context of the work
small house, the tree came Eldon. Two

human figures in traditional roles of men and women, “….. what kind of people I believed to live in that house, “a painter of words. Benton, an “enemy of modernism,” self-proclaimed created the magnum opus of the “people Chilmark (Figure Composition)” in 1930, describing rural life in a small but prosperous city Chilmark.

“Prelude tragic,” the masterpiece of 1938-40 by John Curry, had a different background to American painting scene. The issue revolves around the “gore” revolution against slavery in Kansas (1854-1858), forerunner of the Civil War. The framework captures the opponents and proponents of slavery, weapons against each other and lead the abolitionist John Brown as the central figure. This overlap of regional work with the philosophy of social realism in the United States. The agency works in the social realism of America was primarily artistic policy documentation of urban society in North America. Pencil drawing 1922 “Morgan, Mellon and Rockefeller” by Robert Minor (1884-1952), and watercolors by Ben Shahn (from 1898 to 1969), based on the Relocation Act (RA), namely. “Lest We Forget” and “years of dust are some examples of others in social realism.

Rabu, 05 Januari 2011

face art, face paint, face painting

As Christmas is approaching faster than Santa can harness the reindeer to his sledge, many of you will be already creating and practising your very own fabulous Christmas face painting creation. There will be those among you that would love to follow suit, but have yet to apply their first brushstroke.

FIRST STEPS: Take things easy at first with simple to do designs. Cheek art is a perfect starting point with basic little patterns featuring holly, berries, snowflakes, stars, Christmas crackers, Christmas trees with a little bauble at the end of the branches, and even little faces. Remember that the theme is Christmas so red, white, green, silver and gold are essential colours. Painting animal markings on the cheeks, eyes and forehead can also look very effective, and because animal markings like tigers aren't straight you will get away with so much whilst perfecting your creation.

TIGER MARKINGS: Use a round brush with a pointed end and black paint. Tiger stripes are best done in groups of three. Always think big to small. Lay your brush down flat (for a thicker start) and while doing your stroke give it a very light wiggle and taper it off at the end. Each stroke is going to have a curved effect to it. Do a group of three one under the other. This effect would be ideal for cheeks with the markings starting on the outside working in towards the eyes. Doing a similar stroke on the forehead, a group of three on either side and tapering downwards towards the eyes would give a great look for an animal face painting.

PAINTING WHISKERS: If you're face painting any animal fancy dress enthusiasts this Christmas try using a small fine pointed brush, working outwards across the cheeks for a whisker effect. For any fine lines you may be painting, you will find that liquid paints will work the best.

FUR EFFECT: When trying to create a fur effect, use a medium-sized brush, working from the centre outwards. That way the edges taper off. Have a go on paper or a face painting practice pad first until you get to grips with the motion needed for your required effect.

ADVANTAGE OF SPONGES: These will play an important part in your face painting kit, being perfect for applying base coats, large areas of paint on the face and body, and great for blending colours. TIP make them go further by cutting them in half

COLOURS: Don't make the mistake that many learners make and rush out to buy every colour under the rainbow. All you need are your primary colours which are blue, yellow, red and black and white. From these you can mix any colour and shade you want, and it will keep costs down.

GLITTER AND STICK-ON JEWELS: Depending what design you are doing, stick-on jewels, diamante and glitter can be used to stunning effect. However, as with face paint, you need to remember to use only glitter and stick-on jewels that are safe to put on a person's skin (eg body glitter). NEVER use aluminum glitter - polyester only. Aluminum glitter can really hurt the eyes and skin.

FAMILY AFFAIR: Use your family and friends to practise on, trying out different ideas. If you begin practising now, you'll be confident enough by Christmas to paint a whole face and there are some quite spectacular and highly popular choices to have a go at. The Ice Queen and animals will always be favourites along with the traditional Santa and Rudolph.

Dark Become Art Of Body Painting

Dark Become Art Of Body Painting

Even though you may be good at every artwork you ever produce, your audience of potential purchasers/collectors will likely identify you with a particular subject, a color, a style, a medium, a method of presentation, etc. Show a lot of whatever you enjoy doing the most and a lot of what seems to be connecting with folks the most. A bunch of random paintings of various subject matter with no distinctive style or color pallet in cheap mis-matched frames will not likely hold a potential buyer's attention for long, even if the paintings are good. A hodge-podge of sculptures that look like they were made by ten different sculptors will not likely enhance your reputation. This randomness does not help to identify what you are all about. I'm not advocating that you never try anything new or experimental, but you must make your art memorable to gain any kind of following. Consistency is the key. Look at the work of some of the more successful artists that you admire. What ties their work together and identifies it as their own? Subject matter or theme, style (the way they paint or sculpt), choice of colors used, size, framing? Any and all of these characteristics may apply. Don't copy their work, but learn from it. If you are doing work that connects with an audience, folks will seek you out to buy your art, even after the show is over. It's happened to me many times.